Painter, performance artist and Kunming's busiest curator, Liu Lifen (刘丽芬) has been an integral member of Kunming's creative community since 2002.
GoKunming stopped by Liu's studio in the Chuangku/Loft art compound to find out what she's observed during her years in the Kunming art scene:
GoKunming: How did you end up getting involved in the Kunming art scene?
Liu Lifen: I started becoming involved in art after graduating in 2002. I didn't know much, but I suddenly ended up in charge of Nordica's gallery, where I was involved until 2008.
GK: How would you assess the current state of Kunming's art scene?
Liu: Kunming's art scene lacks a central hub where everyone can come together, but this has always been a problem.
Chuangku was the first art district to open in Kunming, but there's not enough space here and artists who recently graduated can't afford to rent a space here. In Mingri Chengshi up north there are 40 to 50 recent art grads. At the Xiyuan tea market there are around 10 artists who have set up studios, and a few artists have studios at Minzu Cun - it's all too spread out at the moment.
GK: How did 943 Studio come into existence?
Liu : I originally started 943 Studio with Wang Han (王涵 – designer for Yang Liping) in June 2007. Two people didn't feel sufficient, so eventually we started collaborating with other artists.
In 2008 I successfully applied for a grant to create an artist exchange between Yunnan and Southeast Asian countries. I did this because I feel Southeast Asia is much closer to Yunnan than Beijing or Shanghai. Every year now we host one Vietnamese artist.
GK: Would you say 943 Studio is a success?
Liu : We're only in our third year... I think we still need time to see how things work out.
GK: You have a studio in Chuangku and are an artist in residence at the new 1919 art compound on Jinding Shan, what is your take on planned art communities?
Liu: Art-themed developments are the same in most cities. You use art or artists to make a place cool or popular and then you commercialize it. In the end, they are simply just commercial projects.
GK: Where did the idea for the Kunming Creative Fair come from?
Liu : Originally Wang Han and I wanted to make an exhibition, but we didn't have enough between us, so we started the Imart, which became My Market... we've decided now to stick with the name Creative Fair.
Our last Creative Fair in November 2009 was by far our most successful. It wasn't just handicrafts, as had been the case previously. We also had art for sale - the best example was one local artist who was selling small bottles of air taken from different spots around Kunming.
GK: When will the next Creative Fair be held?
Liu : September 11 and 12 - it'll be our fifth.
GK: How many art events have you organized over the last eight years?
Liu: Last time I counted, I'd organized 72 events, mostly in Kunming but also in Sweden and Vietnam.
GK: What kinds of events do you want to organize in the coming year?
Liu: We want to organize events in settings outside of the city.
GK: What aspects of Kunming's art scene would you like to see change?
Liu: I hope Kunming artists can communicate more and be less cliquish... There's a young artist clique, Yunnan University grads are another, Yunnan Art Institute grads are another, thirty- to forty-year olds are another. I'd like to see more interaction between these different groups of artists.
Also, there are too many oil painters in Yunnan... perhaps you could even say in China.© Copyright 2005-2020 GoKunming.com all rights reserved. This material may not be republished, rewritten or redistributed without permission.